Scene
No.
|
Time
|
Place
|
Observations
|
Background
|
Mood
& Atmosphere
|
Colours
and Textures
|
Design
ideas
|
1
|
Day/Autumn
|
External
|
Make
sure beacons stay close to the trees to mark out a path. Exposed area easy to
see.
|
N/a
|
Eerie
but bright
|
As
it is an autumnal period I’m choosing colour palette as greens, yellows,
oranges as it’s a woodland area
|
Virtually
left unaltered to display landscape apart from the lit beacons.
|
2
|
Late Afternoon/ Autumn
|
External
|
Build up of beacons more and more
|
N/a
|
Eerie & dark
|
The colours will change into Browns
yellows, oranges as we move into the wood.
|
Same as above
|
3
|
Early
Evening
|
External
|
Make
the ritual seem structured implying religion.
|
Religion/
paganism
|
Same
as above
|
Possibly
the darkest act of the film and the culmination of suspense and fear will be
outlined with dark blacks and browns.
|
Completely
affected area with the cult scene built up and stand-alone. Clearly not part
of the wood. Blood, pigs head and beacons displayed in a ritual manner
|
Friday, 1 November 2013
Initial Creative Responses
This is a table I have drawn up detailing my first creative ideas towards the story.
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